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  "Your mother decided it was a sign, so she decided to adore only catching Cassius Blues. She'd come home with about fifty of them every time she went into the fields and managed to become quite an expert on them. Sir Charles Erwin, Principal Lepidoptera Survival Specialist at the Surrey Museum of Insects in England, a man who evidently had appeared not once but four times on Bug Watch on the BBC, he actually phoned your mother to discuss Leptotes cassius feeding patterns on matured flowers of the lima bean."

  Whenever I voiced a particular hatred of my name, Dad always said the same thing: "You should be happy she wasn't always catching the Swamp Metalmark or the Scarce Silver-spotted Flambeau."

  The Lafayette County Police told Dad Natasha had apparently fallen asleep at the wheel in broad daylight, and Dad admitted that, four or five months prior to the accident, Natasha had been known to work through the night on her butterflies. She'd fallen asleep in the oddest of places: cooking Dad Irish oatmeal at the stove, on the examination table as Dr. Moffet listened to her heart, even while riding the escalator between the first and second floors of Ridgeland Mall.

  "I told her not to work so hard on the bugs," Dad said. "After all, they were only a hobby. But she insisted on working through the night on those display cases, and she could be very bullheaded. When she had an idea, when she believed something, she wouldn't let go of it. And still—she was as fragile as her own butterflies, an artist who feels things deeply. To be sensitive is fine, but it makes day-to-day living—life —rather painful, I'd imagine. I used to joke that when someone cut down a tree in the Brazilian Amazon, or stepped on a fire ant, or when a sparrow flew smack into a sliding glass door, it hurt her."

  If it weren't for Dad's anecdotes and observations (his pas de deux and attitudes), I don't know how much of her I'd remember. I was five when she died, and unfortunately, unlike those geniuses who boast vivid memories of their own births ("An earthquake underwater," said renowned physicist Johann Schweitzer of the event. "Petrifying."), my memory of life in Mississippi stutters and stalls like an engine that refuses to turn over.

  Dad's favorite photograph of Natasha is the one in black and white, taken before she ever met him, when she was twenty-one and dressed for a Victorian costume party (Visual Aid 1.0). (I no longer have the original photograph and so, where appropriate, I've supplied illustrations, drawn from what I can remember.) Although she is in the foreground, she seems about to drown in the rest of the room, a room overflowing with "bourgeois belongings," as Dad would note with a sigh. (Those are real Picassos.)

  And although Natasha stares almost directly at the camera and has an elegant yet approachable look on her face, I never feel a spark of recognition while surveying this blonde of pronounced cheekbone and superb hair. Nor can I associate this refined person with the cool and assured sense I do remember, however vaguely: the feel of her wrist in my hand, smooth as polished wood, as she led me into a classroom with orange carpet and a stench of glue, the way, when we were driving, her milky hair covered almost all of her right ear, though the edge still peeked out, barely, like a fish fin.

  The day she died is thin and insubstantial too, and though I think I remember Dad sitting in a white bedroom making strange, strangled noises into his hands, and everywhere the smell of pollen and wet leaves, I wonder if this is not a Forced Memory, born of necessity and "iron will." I do remember looking out to the spot where her white Plymouth had been parked by the lawn-mower shed, and seeing nothing but oil drips. And I remember, for a few days, until Dad was able to rearrange his lecture schedule, our next-door neighbor picked me up from kindergarten, a pretty woman in jeans who had short red porcupine hair and smelled of soap, and when we pulled into our driveway, she wouldn't immediately unlock the car, but gripped the steering wheel, whispering how sorry she was—not to me, but to the garage door. She'd then light a cigarette and sit very still as the smoke squirmed around the rearview mirror.

  recall, too, how our house, once cumbersome and wheezing as a rheumatoid aunt, seemed tense and restrained without my mother, as if awaiting her return so it could feel comfortable to croak and groan again, allow the wooden floors to grimace under our hurried feet, let the screen door spank the door frame 2.25 times with every opening, consent to the curtain rods belching when an uncouth breeze barged through a window. The house simply refused to complain without her, and so until Dad and I packed up and left Oxford in 1993, it remained trapped in the ashamed, tight-lipped deportment required for Reverend Monty Howard's dull sermons at the New Presbyterian Church, where Dad dropped me every Sunday morning while he waited in the parking lot of the McDonald's across the street, eating hash-browns and reading The New Republic.

  However not really remembered, you might imagine how a day like September 17, 1992, could float around in one's mind when a particular teacher couldn't remember one's name and finally called one "Green." I thought of September 17 at Poe-Richards Elementary, when I'd snuck into the murky stacks of the library to eat my lunch and read War and Peace (Tolstoy, 1865-69) or when Dad and I were driving a highway at night, and he'd lapsed into such strict silence, his profile looked carved on a totem pole. I'd stare out the window, at that black doily silhouette of passing trees, and experience an attack of the What Ifs. What If Dad hadn't picked me up from school and she'd come to get me and, knowing I was in the backseat, made particular effort not to fall asleep —unrolling the window so her glossy hair flew all over the place (exposing her entire right ear), singing along with one of her favorite songs on the radio, "Revolution" by the Beatles? Or What If she hadn't been asleep? What If she'd deliberately veered to the right at 80 mph crashing through the guardrail, colliding, head-on, with the wall of tulip poplar trees nine meters from the shoulder of the highway?

  Dad didn't like to talk about that.

  "That very morning your mother had talked to me of plans to enroll in a night class, Intro to Moths of North America, so rid yourself of such dour thoughts. Natasha was the victim of one too many butterfly nights." Dad gazed at the floor. "A sort of moth moon madness," he added quietly.

  He smiled then and looked back at me, where I was standing in the door, but his eyes were heavy, as if it required strength to hold them to my face. "We'll leave it at that," he said.

  II

  A Portrait of the Artist as a Young Man

  Due to the surprisingly high sales of The Powers That Be (compared to the other page-turners published by Harvard University Press that year, including Currency Abroad [Toney, 1987] and FDR and His Big Deal: A New Look at the First 100 Days [Robbe, 1987]), his impeccable twelve-page curriculum vitae, the frequent appearance of his essays in such respected, highly specialized (yet little-read) journals as International Affairs and American Policies and Daniel Hewitt's Federal Forum (not to mention a nomination in 1990 for the heralded Johann D. Stuart Prize for American Political Science Scholarship), Dad had managed to make enough of a name for himself to be a perennial visiting lecturer at political science departments across the country.

  Mind you, Dad no longer wooed top-tiered universities for their esteemed multinamed teaching positions: the Eliza Grey Peastone-Parkinson Professor of Government at Princeton, the Louisa May Holmo-Gilsendanner Professor of International Politics at MIT. (I assumed, given the extreme competition, these institutions weren't mourning Dad's absence from their "tight-knit circle of incest"—what he called highbrow academia.)

  No, Dad was now interested in bringing his erudition, international fieldwork experience and research to the bottom tiers ("bottom-feeders" he called them in a Bourbon Mood), the schools no one had ever heard of, sometimes not even the students enrolled in them: the Cheswick Colleges, the Dodson-Miner Colleges, the Hattiesburg Colleges of Arts and Sciences and the Hicks-burg State Colleges, the universities of Idaho and Oklahoma and Alabama at Runic, at Stanley, at Monterey, at Flitch, at Parkland, at Picayune, at Petal.

  "Why should I waste my time teaching puffed-up teenagers whose minds are curdled by arrogance and materialism
? No, I shall spend my energies enlightening America's unassuming and ordinary. 'There's majesty in no one but the Common Man.' " (When questioned by colleagues as to why he no longer wished to educate the Ivy League, Dad adored waxing poetic on the Common Man. And yet, sometimes in private, particularly while grading a frighteningly flawed final exam or widely-off-the-mark research paper, even the illustrious, unspoiled Common Man could become, in Dad's eyes, a "half-wit," a "nimrod," a "monstrous misuse of matter.")

  An excerpt from Dad's personal University of Arkansas at Wilsonville Web page (www.uaw.edu/polisci/vanmeer):

  Dr. Gareth van Meer (Ph.D. Harvard University, 1978) is the Visiting Professor of Political Science for the 1997-1998 school year. He hails from Ole Miss, where he is Chair of the Department of Political Science and Director of the Center for the Study of the United States. He is interested, broadly, in political and economic revitalization, military and humanitarian involvement, and post-conflict renewal of Third World nations. He is currently working on a book entitled The Iron Grip, about African and South American ethnic politics and civil war.

  Dad was always hailing from somewhere, usually Ole Miss, though we never went back to Oxford in the ten years we traveled. He was also always "currently working on The Iron Grip" though I knew as well as he did that the Grip —fifty-five legal pads filled with unintelligible handwriting (much of it water damaged), stored in a large cardboard box labeled in black permanent marker, GRIP—had not been worked on, currently or otherwise, in the last fifteen years.

  "America," Dad sighed as he drove the blue Volvo station wagon across another state line. Welcome to Florida, the Sunshine State. I flipped down the visor so I wasn't blinded. "Nothing like this country. No indeedy-o. Really is the Promised Land. Land of the Free and the Brave. Now how about that Sonnet number 30? You didn't finish. 'When to the sessions of sweet silent thought, I summon up remembrance of things past.' Come on, I know you know this one. Speak up. 'And with old woes

  From second grade at Wadsworth Elementary in Wadsworth, Kentucky, until my senior year of high school at the St. Gallway School in Stockton, North Carolina, I spent as much time in the blue Volvo as I did in a classroom. Although Dad always maintained an elaborate explanation for our itinerant existence (see below), I secretly imagined we wandered the country because he was fleeing my mother's ghost, or else he was looking for it in every rented two-bedroom house with a grouchy porch swing, every diner serving waffles tasting of sponge, every motel with pancake pillows, bald carpeting and TVs with a broken CONTRAST button so newscasters resembled Oompa Loompas.

  Dad, on Childrearing: "There's no education superior to travel. Think of The Motorcycle Diaries, or what Montrose St. Millet wrote in Ages of Exploration: 'To be still is to be stupid. To be stupid is to die.' And so we shall live. Every Betsy sitting next to you in a classroom will only know Maple Street on which sits her boxy white house, inside of which whimper her boxy white parents. After your travels, you'll know Maple Street, sure, but also wilderness and ruins, carnivals and the moon. You'll know the man sitting on an apple crate outside a gas station in Cheerless, Texas, who lost his legs in Vietnam, the woman in the tollbooth outside of Dismal, Delaware, in possession of six children, a husband with black lung but no teeth. When a teacher asks the class to interpret Paradise Lost, no one will be able to grab your coattails, sweet, for you will be flying far, far out in front of them all. For them, you will be a speck somewhere above the horizon. And thus, when you're ultimately set loose upon the world . . ." He shrugged, his smile lazy as an old dog. "I suspect you'll have no choice but to go down in history."

  Typically, our year was divided between three towns, September though December in one, January through June in another, July through August in a third, though occasionally this increased to a maximum of five towns in the span of one year, at the end of which I threatened to start sporting a burdensome amount of black eyeliner and baggy clothing. (Dad decided we'd return to the median number of three towns per year.)

  Driving with Dad wasn't cathartic, mind-freeing driving (see On the Road, Kerouac, 1957)- It was mind-taxing driving. It was Sonnet-a-thons. It was One Hundred Miles of Solitude: Attempting to Memorize The Waste Land. Dad could meticulously divide a state end to end, not into equal driving shifts but into rigid half-hour segments of Vocabulary Flash Cards (words every genius should know), Author Analogies ("the analogy is The Citadel of thought: the toughest way to condition unruly relationships"), Essay Recitation (followed by a twenty-minute question-and-answer period), War of the Words (Coleridge/Wordsworth face-offs), Sixty Minutes of an Impressive Novel (selections included The Great Gatsby [Fitzgerald, 1925] and The Sound and the Fury [Faulkner, 1929], and The Van Meer Radio Theater Hour, featuring such plays as Mrs. Warrens Profession (Shaw, 1894), The Importance of Being Earnest (Wilde, 1895) and various selections from Shakespeare's oeuvre, including the late romances.

  "Blue, I can't fully distinguish Gwendolyn's sophisticated upper-class accent from Cicely's girlish country one. Try to make them more distinct and, if I may give you a little Orson Wellian direction here, understand, in this scene they're quite angry. Do not lie back and pretend you're sitting down to a leisurely tea. No The stakes are high They both believe they're engaged to the same man! Ernest!"

  States later, eyes watery and focus sore, our voices hoarse, in the high-way's evergreen twilight Dad would turn on, not the radio, but his favorite

  A. E. Housman Poetry on Wenlock Edge CD. We'd listen in silence to the steel-drum baritone of Sir Brady Heliwick of the Royal Shakespeare Company (recent roles included Richard in Richard III, Titus in Titus Andronicus, Lear in King Lear) as he read "When I Was One-and-Twenty" and "To an Athlete Dying Young" against a sinuous violin. Sometimes Dad spoke the words along with Brady, trying to outdo him.

  Man and boy stood cheering by,

  And home we brought you shoulder-high.

  "Could have been an actor," said Dad, clearing his throat.

  By examining the U.S. Rand-McNally map on which Dad and I marked with a red pushpin every town in which we'd lived, however brief the period ("Napoleon had a similar way of marking out his regime," Dad said), I calculate that, from my years six to sixteen we inhabited thirty-nine towns in thirty-three states, not including Oxford, and I thus attended approximately twenty-four elementary, middle and high schools.

  Dad used to joke that in my sleep I could pound out the book Hunting for Godot: Journey to Find a Decent School in America, but he was being unusually harsh. He taught at universities where "Student Center" referred to a deserted room with nothing but a foosball table and a vending machine with a few candy bars bravely tipped toward the glass. I, however, attended sprawling, freshly painted schools with slender corridors and beefy gyms: Schools of Many Teams (football, baseball, spirit, dance) and Schools of Many Lists (attendance, honor, headmaster's, detention); Schools Full of Newness (new arts center, parking lot, menu) and Schools Full of Oldness (which used the words classic and traditional in their admissions brochure); schools with snarling, sneering mascots, schools with pecking, preening mascots; the School of the Dazzling Library (with books smelling of glue and Mr. Clean); the School of the Bog Library (with books smelling of sweat and rat droppings), the School of Teary-Eyed Teachers; of Runny-Nosed Teachers; of Teachers Never Without Their Lukewarm Coffee Mug; of Teachers Who Cakewalked; of Teachers Who Cared; of Teachers Who Secretly Loathed Every One of the Little Bastards.

  When I introduced myself into the culture of these relatively well-developed nations, with firmly established rules and pecking orders, I didn't immediately don the status of the Drama Queen with Shifty Eyes or the Obnoxious Brain Who Wore Meticulously Ironed Madras. I wasn't even the New Girl, as that glittery title was always stolen from me within minutes of my arrival by someone fuller lipped and louder laughed than I.

  I'd like to say I was the Jane Goodall, a fearless stranger in a stranger land doing (groundbreaking) work without disturbing the natural hierarchy of the
universe. But Dad said, based on his tribal experiences in Zambia, a title only has meaning when others fully support it, and I'm sure if someone asked the Tanned Sporto with Shiny Legs, she'd say if I had to be a Jane, I wasn't the Jane Goodall, nor was I the Plain Jane, the Calamity Jane, the What Ever Happened to Baby Jane, and certainly not the Jayne Mansfield. I was more along the lines of the Pre-Rochester Jane Eyre, which she'd call by either of its pseudonyms, the I Don't Know Who You're Talking About or the Oh Yeah, Her.

  A brief description might be due here (Visual Aid 2.0). Obviously, I am the half-obscured, dark brown-haired girl wearing glasses who looks apologetically owl-like (see "Scops Owl," Encyclopedia of Living Things, 4th ed.). I am paninied between (starting in the lower right-hand corner and continuing clockwise): Lewis "Albino" Polk, who would soon be suspended for bringing a handgun to Pre-Algebra; Josh Stetmeyer, whose older brother, Beet, was arrested for dealing LSD to eighth graders; Howie Easton, who went through girls the way a deer hunter in a single day of shooting could go through hundreds of rounds of ammunition (some claimed his list of conquests included our art teacher, Mrs. Appleton); John Sato, whose breath always smelled like an oil rig; and the much ridiculed, six-foot-three Sara Marshall who, only a few days after this class photo was taken, left Clearwood Day, supposedly to go revolutionize German women's basketball in Berlin. ("You're the spitting image of your mother," Dad commented when first observing this photo. "You have her prima ballerina grit and grace—a quality all the plains and uglies of the world would kill for.")

  I have blue eyes, freckles and stand approximately five-foot-three in socks.

  I should also mention that Dad, despite having received embarrassing marks from the Bridges on both his Technical and Freestyle programs, had that brand of good looks which only reach full force at the onset of middle age. As you can see, while at the University of Lausanne, Dad's look was uncertain and squinty—his hair too angrily blond, his skin too severely fair, his large frame uneven and indecisive (Visual Aid 2.1). (Dad's eyes are considered hazel, but during this period, simple "haze" was a more fitting description.) Over the years, however (and due in a large part to the African kilnlike conditions), Dad had hardened nicely into one with a coarse, slightly ruined appearance (Visual Aid 2.2). This made him the target, the lighthouse, the lightbulb, of many women across the country, particularly in the over thirty-five age group.